Peer-Reviewed Journal Details
Mandatory Fields
Paolo Bartoloni
2014
Unknown
Aghios
"La violenza degli ordigni: Svevo e Benjamin"
Published
()
Optional Fields
7/8
99
110
<!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman"; mso-ansi-language:EN-US;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --> In this essay I discuss the last, ambiguous pages of Zeno’s Conscience in conjunction with Walter Benjamin’s essay “Critique of Violence”. In so doing I will touch on broader modernist perceptions of social and economic transformations brought about by industrialization and the technologization of life.Key words: Svevo, Benjamin, modernism, violence, social and environmental transformations.
978-88-456-1421-7
1
Grant Details
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